Kenneth Kellogg, Briana Hunter and Aaron Crouch play The Father, The Mother and The Son in the world premiere of Blue at the 2019 Glimmerglass Festival.
Karli Cadel | Courtesy of the festival
Opera is an art form well-suited to big emotions and tragic stories, often set in the past. But a new opera, Blue, grapples with a more contemporary tragedy — the killing of an unarmed black man at the hands of a police officer.
Blue premiered on July 14 at the Glimmerglass Festival in New York state, where it is set to run through Aug. 22. The opera takes on a dark story about race in America. A young black couple falls in love and has a baby boy. The son becomes a rebellious teenager and is shot and killed by a police officer at a protest. The second act of the opera explores the aftermath of that traumatic event.
Tazewell Thompson, Blue’s director as well as the writer of its libretto, says that he’s wanted to explore the opera’s more private, familial themes for some time now.
“I knew that I wanted to write the story behind the story of the headlines,” Thompson says. “That was in my head all along. That was in my heart. That was in my system. I wanted that story — how it affects the family. I really wanted to get to know the parents.”
Further complicating the opera’s devastating tragedy, one of those parents is a police officer himself. Tony Award-winning composer Jeanine Tesori, who wrote the score for Blue, proposed this character detail when she and Thompson began working on the opera.
“I haven’t seen many stories about African American police officers and the incredible challenge that they face,” she says. “It’s also Tazewell’s story. This is deeply Tazewell’s story,” she says, describing the opera’s inspiration.
Thompson lives in Harlem, where the opera is set and he’s had his own run-ins with the police. “In my own neighborhood, I was frisked and slammed against the wall,” Thompson says. He remembers another incident he…
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