When it reopens in October with a restored and expanded building, New York’s Museum of Modern Art has promised to re-imagine the way it presents Modern and contemporary art. It just got a big assist in reshaping the story it tells: French collector, photographer, and automobile heir Jean Pigozzi has given the museum forty-five pieces by contemporary African artists. That donation, the museum tells artnet News, is the largest gift of African art that MoMA has ever received.
The trove includes sculptors Romuald Hazoumè (Republic of Bénin) and Bodys Isek Kingelez (Democratic Republic of Congo), painters Moké and Cheri Samba (both from the DRC), and photographers such Seydou Keïta (Mali) and Jean Depara (DRC). Pigozzi’s collection overall, he told Surface magazine, skews young, with mostly artists born after 1945. Nearly forty percent of those represented are women artists.
Pigozzi built his collection, which Connaissance des Arts pegs at over ten thousand works, over the course of three decades with the assistance of Africa-trotting curator André Magnin. In a 2005 essay about his collection, Pigozzi puts African artists on a par with Western colleagues: “Bodys Kingelez and Seydou Keïta are as interesting and important as Richard Serra and Richard Avedon.” The collector also maintains his holdings as CAAC Art, based in Geneva but without a permanent exhibition venue.
International recognition of the African art scene has been gathering steam. The Pigozzi gift comes two years after MoMA’s first exhibition by a black African artist, Bodys Isek Kingelez.
The art market also reflects Africa’s rise. Launched in New York in 2013, the 1:54 African art fair has since expanded to London and Marrakech. Meanwhile, Sotheby’s launched an African art department in London in 2016. Buyers from the continent were…
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